PASCAL GALLET

Concert pianist

COMING CONCERTS

Passage on sudradio in the LOFTMUSIC antenna program hosted by Yvan Cujious (03/29/2021)
Saint-Merri Church, 05/22/2021

Concert by Pascal Gallet's students at Saint-Merri church (Paris)

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Educational videos integral music by andré jolivet (including the concerto)

Pascal Gallet is the only pianist in the world to have recorded André Jolivet's complete works for piano. He was the only one to record live Jolivet's only concerto (1951) (with the Duisburg Philharmonic).

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“The piano is inventive and fair in the expression of sensuality and sonorous pleasure, the two elements that prevail in this music… Playing with a subtle range of nuances, ample and fluid at the same time…

Pierre Massé

03:37

Concerto no. 1 de Tchaikowsky

Concerto no. 1 pour piano et orchestre de Tchaikowsky

33:25

André Jolivet : Concerto pour piano

André Jolivet Concerto pour piano ONPC - Pascal Gallet Youtube Channel : https://www.youtube.com/channel/UCF9Dmxk5sWjiJI_vpSoWbAg/?sub_confirmation=1 Morning Music ! Music to Start Your Day ! His first television appearance at the age of 10 encouraged Gallet in the pianistic path. He entered the Conservatoire de Paris at a very young age and followed Pierre Sancan's, then Yvonne Loriod's and Éliane Richepin's classes. In 1987, he was unanimously awarded a 1st prize and followed the advanced training cycle. He remains a disciple of Teresa Llacuna. He has won the Viotti-Valsesia, Porto, Trapani, Menuhin Foundation international competitions. He is in the line of pianists who had the privilege of meeting Olivier Messiaen very closely at a very young age. The French composer dedicated two excerpts from his Catalogue d'oiseaux to him. He is the only pianist in the world to have recorded the entire jolivet for piano André Jolivet : #Concerto pour piano ONPC The Concerto for piano and orchestra is a work by André Jolivet, composed in 1949–1950. The creation took place on June 19, 1951 at the Strasbourg Festival, with Lucette Descaves at the piano, under the direction of the composer. ** SITE : https://www.pascalgalletofficial.com/ ** FACEBOOK : https://www.facebook.com/GalletPascal ** INTAGRAM : https://www.instagram.com/pascalgallet_/ ** TWEET : https://twitter.com/_PascalGallet ** AGENT ARTIST : https://www.priceattractions.com/pascal-gallet-piano ** WIKIPEDIA : https://fr.wikipedia.org/wiki/Pascal_Gallet ** SPOTIFY : https://open.spotify.com/artist/57apX887Ty0cNpAVgDXjmv 22 February 2020 Conductor: Mtro. Fernando Saint Martin de Maria y Campos Director General de Música UNAM ván López Reynoso Director asociado Pascal Gallet Pianista Concierto para piano I Allegro deciso II Andante con moto III Allegro frenetico Bis La Cathédrale engloutie Debussy #andréjolivet #concertopourpiano #pascalgallet

15:03

Bach - Concerto in F minor Piano

Bach - Concerto in F minor Piano - Pascal Gallet #ONPC Youtube Channel : https://www.youtube.com/channel/UCF9Dmxk5sWjiJI_vpSoWbAg/?sub_confirmation=1 His first television appearance at the age of 10 encouraged Gallet in the pianistic path. He entered the Conservatoire de Paris at a very young age and followed Pierre Sancan's, then Yvonne Loriod's and Éliane Richepin's classes. In 1987, he was unanimously awarded a 1st prize and followed the advanced training cycle. He remains a disciple of Teresa Llacuna. He has won the Viotti-Valsesia, Porto, Trapani, Menuhin Foundation international competitions. He is in the line of pianists who had the privilege of meeting Olivier Messiaen very closely at a very young age. The French composer dedicated two excerpts from his Catalogue d'oiseaux to him. ** SITE : https://www.pascalgallet.fr/ ** FACEBOOK : https://www.facebook.com/GalletPascal ** INTAGRAM : https://www.instagram.com/pascalgallet_/ ** TWEET : https://twitter.com/_PascalGallet ** AGENT ARTIST : https://www.priceattractions.com/pascal-gallet-piano ** SPOTIFY : https://open.spotify.com/artist/57apX887Ty0cNpAVgDXjmv Concert recorded at the National Theater of Panama on 28 February 2020 Morning Music ! Music to Start Your Day ! Contents of this video 0:00 - Allegro 3:09 - Largo 5:54 - Presto Bach composed a concerti group for one, two, three and four harpsichords in Leipzig around 1730. Concerto BWV 1056 is one of eight concerti for harpsichord (BWV 1052-1059). As director of the Collegium Musicum, he had to provide a large amount of music for primarily social purpose. All these concerti are transcriptions of earlier works: the origin of the BWV 1052 concerto is undoubtedly a violin concerto in G minor, unless it is, as some think, an oboe concerto . The second movement (a largo in A flat major) served as the opening sinfonia for Cantata BWV 1056 "Ich steh 'mit einem Fuss im Grabe" (1729). Bach is undoubtedly the first composer to have written concerti for harpsichord and orchestra. Their form is that of the Italian concerto (developed by Vivaldi): three movements: lively, slow, lively. #bach #bachconcertoinfminorpiano

Piano Concerto no 1 in E Minor op 11 i Allegro Maestoso

Provided to YouTube by NAXOS of America Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso · Pascal Gallet Chopin: Pascal Gallet ℗ 2013 Maguelone Music Released on: 2013-05-28 Artist: Pascal Gallet Conductor: Sergio Cardenas Orchestra: Mexico National Autonomous University Philharmonic Orchestra Composer: Fryderyk Chopin

33:12

Tchaikovsky: Piano Concerto No. 1, Op. 23

Tchaikovsky: Piano Concerto No. 1, Op. 23 - Pascal Gallet Youtube Channel : https://www.youtube.com/channel/UCF9Dmxk5sWjiJI_vpSoWbAg/?sub_confirmation=1 Morning Music ! Music to Start Your Day ! His first television appearance at the age of 10 encouraged Gallet in the pianistic path. He entered the Conservatoire de Paris at a very young age and followed Pierre Sancan's, then Yvonne Loriod's and Éliane Richepin's classes. In 1987, he was unanimously awarded a 1st prize and followed the advanced training cycle. He remains a disciple of Teresa Llacuna. He has won the Viotti-Valsesia, Porto, Trapani, Menuhin Foundation international competitions. He is in the line of pianists who had the privilege of meeting Olivier Messiaen very closely at a very young age. The French composer dedicated two excerpts from his Catalogue d'oiseaux to him. The Piano Concerto No. 1 in B♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875.It was revised in the summer of 1879 and again in December 1888. The first version received heavy criticism from Nikolai Rubinstein, Tchaikovsky's desired pianist. Rubinstein later repudiated his previous accusations and became a fervent champion of the work. It is one of the most popular of Tchaikovsky's compositions and among the best known of all piano concertos. ** SITE : https://www.pascalgallet.fr/ ** FACEBOOK : https://www.facebook.com/GalletPascal ** INTAGRAM : https://www.instagram.com/pascalgallet_/ ** TWEET : https://twitter.com/_PascalGallet ** AGENT ARTIST : https://www.priceattractions.com/pascal-gallet-piano ** WIKIPEDIA : https://fr.wikipedia.org/wiki/Pascal_Gallet ** SPOTIFY : https://open.spotify.com/artist/57apX887Ty0cNpAVgDXjmv Live recording during the concert given in 2016 as part of the OSAMU festival with the students of the OSAMU orchestra in partnership with the Pierre Barbizet conservatory in Marseille. 7 October 2016 #tchaikovskypianoconcerto #op.23 #concerto

25:25

Manuel de Falla : Nights in the Gardens of Spain

Manuel de Falla Nights in the Gardens of Spain - Pascal Gallet Youtube Channel : https://www.youtube.com/channel/UCF9Dmxk5sWjiJI_vpSoWbAg/?sub_confirmation=1 Morning Music ! Music to Start Your Day ! His first television appearance at the age of 10 encouraged Gallet in the pianistic path. He entered the Conservatoire de Paris at a very young age and followed Pierre Sancan's, then Yvonne Loriod's and Éliane Richepin's classes. In 1987, he was unanimously awarded a 1st prize and followed the advanced training cycle. He remains a disciple of Teresa Llacuna. He has won the Viotti-Valsesia, Porto, Trapani, Menuhin Foundation international competitions. He is in the line of pianists who had the privilege of meeting Olivier Messiaen very closely at a very young age. The French composer dedicated two excerpts from his Catalogue d'oiseaux to him. He is the only pianist in the world to have recorded the entire jolivet for piano ** SITE : https://www.pascalgallet.fr/ ** FACEBOOK : https://www.facebook.com/GalletPascal ** INTAGRAM : https://www.instagram.com/pascalgallet_/ ** TWEET : https://twitter.com/_PascalGallet ** AGENT ARTIST : https://www.priceattractions.com/pascal-gallet-piano ** WIKIPEDIA : https://fr.wikipedia.org/wiki/Pascal_Gallet ** SPOTIFY : https://open.spotify.com/artist/57apX887Ty0cNpAVgDXjmv Falla began composing these pieces as nocturnes for solo piano in 1909, but pianist Ricardo Viñes suggested that he make them into a work for piano and orchestra. Falla completed it in 1915 and dedicated it to Ricardo Viñes. It was premiered on April 9, 1916 at the Teatro Real1 by the Madrid Symphony Orchestra, conducted by Enrique Fernández Arbós, with José Cubiles on the piano. "Nights" describes three gardens: En el Generalife (jasmine gardens of the Alhambra Palace) Danza lejana (unidentified garden as an excuse for an exotic dance) In the jardines de la sierra de Córdoba (gypsy dance for the feast of Corpus Christi) Falla spoke of Nights in the Gardens of Spain as "symphonic impressions". The piano part is elaborate, brilliant and eloquent, but rarely dominant. The orchestral score is exuberant. This is the most impressionistic work of the master of Gades. #manueldefalla #nightsinthegardensofspain #onpc #pascalgallet #langlang #concerto #orchestramusic

DISCOGRAPHY

Piano Concerto I. Allegro decisoArtist Name

00:00 / 07:37

The Piano Concerto was composed a few years after the Sonata. When it was created in Strasbourg, it sparked a small scandal, a scandal that is actually quite incomprehensible today. The work strikes once again with its dramatic progression, a progression which reserves for the piano a role that is both central and peripheral. Formidably expressive and of an implacable formal construction, it deserves to be played more often… A big thank you to Pascal Gallet for this rare record, remarkably interpreted.

In addition to this, you will need to know more about it.

We cannot put aside the quasi-jouissance that this music produces, precisely because it functions both on the ground of language (the structure which directs us) and on a more archaic energy (the sound continuum which grabs us). This is particularly evident in the First Sonata, but it is also true in the Concerto.

In addition to this, you will need to know more about it.

ARTE

Piano Sonata in E Minor Op 7 I Allegro mArtist Name

00:00 / 04:23

If Grieg refocuses on small forms after having dabbled in the sonata form, there are two reasons: on the one hand, he is not at ease with the development, a technique which restricts him in his poetic impulses and 'imagination; on the other hand, the work of variations in which it flourishes is also best suited to popular material, whose short sentences are repeated, juxtaposed, but never going to development. It is perhaps also a Norwegian cultural characteristic, as the composer suggests in a letter to his editor in 1889: “We are Germans from the North, and we share with all Germans a strong propensity to melancholy and reverie.

Meguelone

Piano Concerto no 1 in E Minor op 11 i AArtist Name

00:00 / 13:26

A trip with the "political" Chopin of the Poles, the nostalgic of the Mazurkas, and the famous Sonata No. 2 called "funeral". The movement which bears this name was written before the sonata; it is he who serves as his creative basis (it was played at Chopin's funeral in the Church of the Madeleine) - Pascal Gallet (complete piano music by Jolivet at Maguelone) presents us with a reading without qualms, inexorable of this sonata. "

In this slow-paced funeral program without any monotony, he constructs each story with a real flexibility of touch and subtly combines softness and strength avoiding any overload (Polonaise op. 44). In this relevant approach, there is a desire to tell Chopin's story, but with a certain distance from the emotional content of each page (trio of the funeral march of Op. 35). Instead of saying or affirming, Pascal Gallet suggests!

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